Author: zoglinreviews

I feel guilty that I haven’t been reviewing any theater during the pandemic. Of course, there is no live theater to review during the pandemic. But a number of theater companies have been streaming recorded versions of earlier productions, and some have been offering up new works — many pegged to our current, hunkered-down, Zoom-infested moment. I've … Continue reading Is Zoom Theater Really Worth It? →

I’ve been in radio silence for a while. No theater to see, obviously, and I’ve already conveyed my irritation with the Netflix binge-watching experience. Lately I’ve spent more time mining the old-movie archives on services like Amazon and Turner Classic Movies.  It was nice to rewatch The Best Years of Our Lives, which TCM aired … Continue reading Eureka! The Worst Movie Ever Made →

A couple of years ago I aired my gripes about Netflix in a post I headlined “Five Reasons to Dump Netflix.” I did drop the streaming service, at least for a while. But now that we’re chained to our TV sets because of the coronavirus lockdown, I’m back onboard. Not happily. Like everyone else, I’m … Continue reading I’m Sick of Watching Netflix (Part 2) →

“New York City, how're you doing tonight?!” shouted one of the stars revving up the audience at the start of the new Broadway musical Six. Nobody, thankfully, shouted back, “Sick!” Or maybe, “Scared to death of the guy who just coughed after he brushed past me on the way to his seat!”  But let’s just … Continue reading Theatergoing in the Plague Year →

Critics and audiences are all over the map on the new Broadway revival of West Side Story, staged by avant-garde Belgian director Ivo Van Hove. Some find it a striking reinvention of the beloved 1957 Leonard Bernstein-Jerome Robbins-Stephen Sondheim musical. For others, it’s a confusing desecration. My own reaction is complicated by a somewhat embarrassing … Continue reading Coming Late to ‘West Side Story’ →

Just how bad can a Broadway comedy be and still get uproarious laughter from a theater audience? The new benchmark, I would propose, is Grand Horizons, the new play from Bess Wohl that has just opened at the Second Stage. The presence of two solid old pros, Jane Alexander and John Cromwell, in the lead … Continue reading ‘Grand Horizons’: The Laugh’s On Us →

Hard to believe we’re at the end of a decade. The 2010s don’t seem to have acquired much of a profile, at least not yet. But in retrospect it was a pretty great decade for theater: a lot of disappointments for me, but the high points were really high. Here’s my 10 Best list of the … Continue reading 10 Best Theater of the Decade →

Just when I was about to give up hope for serious theater in New York, after sitting through overpraised trifles (The Sound Inside), overwritten behemoths (The Inheritance), and boringly au-courant political plays (Heroes of the Fourth Turning), my faith was restored by the most exciting theater event of the year. It’s Richard Jones’s new production … Continue reading ‘Judgment Day’: The Show of the Year →

The real test for a jukebox musical — those shows that mine a rock artist’s song catalogue and use them to embellish a newly concocted story, often the artist’s own biography — should be whether it works for an audience that doesn’t know the songs. Shows like Jersey Boys, The Cher Show and Beautiful: The … Continue reading ‘Jagged Little Pill’: A Songbook Show to Savor →

The Inheritance may not be the best play of the Broadway season, but it is certainly the most play. Matthew Lopez’s drama (just arrived in New York after winning much acclaim in London) runs for six and a half hours, in two separate evenings. It revolves around a group of contemporary gay New Yorkers, who … Continue reading Slogging Through ‘The Inheritance’ →